AN EDITORIAL STUDY OF THE GAME THROUGH VISION, LANGUAGE, AND CULTURE
Racquet Theory started as a reaction to how the game is too often flattened into highlights, hot takes, and hollow narratives. We felt there was room for something slower, stranger, and more layered. A journal that treats tennis not as a niche interest but as a subject worthy of serious attention and unexpected angles. This is our attempt to sketch a broader frame. One that welcomes both longtime fans and curious outsiders. Not to explain the game away but to sit with it, study it, and see what else it might reveal.
CO-FOUNDER
CO-FOUNDER
ART, PHOTOGRAPHY, AND FILM EXPLORING TENNIS AS SEEN, FELT, AND FRAMED ON COURT AND OFF
SHORT AND LONGFORM REFLECTIONS WHERE THEORY MEETS THE COURT
DEEP READS ON TACTICS, TONE, AND PERFORMANCE RANGING FROM GRANULAR SCOUTING REPORTS TO NARRATIVE MATCH DISSECTIONS
EXPLORATIONS OF TENNIS STYLE AS EXPRESSION TRACING ITS INFLUENCE ACROSS DESIGN, IDENTITY, AND THE SPECTACLE OF THE GAME
DIALOGUES WITH PLAYERS, COACHES, ARTISTS, AND THEORISTS UNPACKING TENNIS AS BOTH CRAFT AND LENS